"

There’s a difference between bastardizing an item and giving it room to breathe, grow, and change with the times. When Chinese people cook Chinese food or Jamaicans cook Jamaican, there’s no question what’s going on. Just make it taste good. When foreigners cook our food, the want to infuse their identity into the dish, they have a need to be part of the story and take it over. For some reason, Americans simply can’t understand why this bothers us. “I just want to tell my story?!? I loved my vacation to Burma! What’s wrong with that?” It’s imperialism at work in a sauté pan. You already have everything, do you really really, really need a Burmese hood pass, too? Can we live?

Writers ask me: “So, should Americans be allowed to cook ethnic food they didn’t grow up with?”

I reply by asking: Are you interested in this food because it’s a gimmick you can apply to French or New-American food to separate yourself from others? Or, will you educate your customers on where that flavor came from? Will you give credit where it’s due or will you allow the media to prop you up as the next Marco Polo taking spices from the Barbarians Beyond the Wall and “refining” them? The most infuriating thing is the idea that ethnic food isn’t already good enough because it goddamn is. We were fine before you came to visit and we’ll be fine after. If you like our food, great, but don’t come tell me you’re gonna clean it up, refine it, or elevate it because it’s not necessary or possible. We don’t need fucking food missionaries to cleanse our palates. What we need are opportunities outside kitchens and cubicles.

"

Eddie Huang, Fresh off the Boat (via yiheyuans)

(via soulsticesetting)

"Men often react to women’s words - speaking and writing - as if they were acts of violence; sometimes men react to women’s words with violence. So we lower our voices. Women whisper, Women apologize. Women shut up. Women trivialize what we know. Women shrink. Women pull back. Most women have experienced enough dominance from men - control, violence, insult, contempt - that no threat seems empty."

Andrea Dworkin, Intercourse (via tabularasae)

(Source: echo-chamber, via kadalkavithaigal)

"Another common tendency in the post-Civil Rights era is to automatically link “people of color” with “unqualified” and “whites” to “qualified.” Bonilla-Silva analyzes this trend as well. Any time a non-white person occupies a position of authority, prestige, or power, they come under suspicion of getting a “free ride” or “handout.” The ironic thing about this is that, since its inception, affirmative action has benefitted middle-class white females more than any other group in American society. White females account for approximately 80 percent of affirmative action’s beneficiaries since the policies were originated in the early 1970s. Yet, how often do you hear white women angrily moaning that they are enjoying “free rides” and “hand outs” at the expense of white males?"

Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in America: Eduardo Bonilla-Silva: 9781442202184: Amazon.com: Books (via usa-ko)

(via kadalkavithaigal)

"The “fat girls give better head” stereotype is of course fatphobic but is also inherently slut-shaming because it’s representing being proficient at a sex act as something negative. And in a lot of people’s minds, being good at sex means you’ve had more, which equals slut/whore for women. It’s tied in to the stereotype of fat girls as “easy” (aka slutty) because they have low self-esteem, and not because they simply love sex. When you’re a fat girl you’re not allowed to have a lot of sex unless you’re desperately searching for attention. The sex-loving, confident fat girl is in this case invisible. Our sexuality is always complicated by the difference between our view of our own sexuality and society’s view of what fat sexuality should look like. Meaning, it should be either kept completely behind closed doors or fit within the framework of self-loathing and body hate that all fat women are expected to experience on a daily basis. This is why cultivating a sex-positive culture is necessarily important to fat/body acceptance, and why we have to make fat visible in sex-positive movements and spaces."

Tasha Fierce, Sex and the Fat Girl (via megaera)

oh right I wrote this

(via tashafierce)

(via suckmesleezi)

"Motherfuckers will read a book that’s 1/3rd elvish, but put two sentences in spanish and they (white people) think we’re taking over"

Junot diaz on “do you think you alienate readers when you use spanish in your books?” (via iamincoherent)

White people are ready and willing to believe that unicorns, elves, leprechauns, orcs, and wizards exist, and are willing to accept Jedi as an official religion, are willing to accept Elvish as an official language and not something made up by an author…

…but refuse to believe that POC have their own languages and cultures which their wicked ancestors failed to stamp out.

We exist, motherfuckers.

(via thegoddamazon)

Junot firing shots at you motherfuckers

(via thewhitemankilledthetruth)

(via thesassyblacknerd)

"

What settler colonialism does is that it sets a ceiling on what the future can be such that we cannot even imagine a future without genocide. This tendency then leaves us to develop critical visions only within the constraints of the possible and then infects all the work that we do.

For instance if we look at the Academic Industrial Complex. We whine and complain about how racist it is. As if the only problem is a few racist administrators who need to be fired. And if we just convince them how great Ethnic Studies is, they’d just give us more money. But if we were actually to imagine a liberatory educational system would this be it? Professors, do we say, “Tenure was the most fun thing I’ve ever done, I wish I could do it again”? Do students say, “You know, I love it when I work really hard for my finals and then get a bad grade anyway, how empowering was that”? We don’t even try to imagine building an alternative to the Academic Industrial Complex. We act as if the problem is that there is racism in the academy, not that the academy is structured by racism. And here’s where we can learn from the Prison Industrial Complex. Is not that the organizing against the Prison Industrial Complex puts forth a model of abolition that doesn’t just say that it’s about tearing down prison walls now but it’s about building alternatives that squeeze out the current system. Similarly, while we might have day jobs in the academic system, why can’t we start building alternatives to this system, build the educational system that we would actually like to see that could then squeeze out the current system as it develops. So, for instance, when Arizona says something like they’re going to ban Ethnic Studies, we think, “Oh no, there’s not going to be Ethnic Studies because the State says so!” We presume the state owns Ethnic Studies and it actually can ban it. We don’t say, “Uh, whatever, Arizona! Ethnic Studies is not a gift from the Academic Industrial Complex or from the state. It’s a product of social movements for social justice, and as long as they exist there will be Ethnic Studies wherever and whenever we go.” And did we ever really think Ethnic Studies was going to be legitimate in a white supremacist and settler colonialist academy? And if ever did become legitimate, we would know we had failed in our task.

"

Andrea Smith plenary talk at Critical Ethnic Studies and the Future of Genocide, Thursday, March 10, 2011 (via zombifuntime)

“And did we ever really think Ethnic Studies was going to be legitimate in a white supremacist and settler colonialist academy? And if ever did become legitimate, we would know we had failed in our task”

DAMN. WHOA. DAMN. FUCK. YES. THIS. DAMN

(via tothedirigible)

I am so intimidated by the fact that this fabulous thinker teaches on my campus.

(via jhameia)

“We presume the state owns Ethnic Studies and it actually can ban it. “

whoa

(via quixotess)

(via kadalkavithaigal)

"You are the books you read, the the films you watch, the music you listen to, the people you meet, the dream you have, the conversations you engage in. You are what you take from these. Your are the sound of the ocean, the breath of fresh air, the brightest light and the darkest corner. You are a collective of every experience you have had in your life. Your are every single day. So drown yourself in a sea of knowledge and existence. Let the words run trough your veins and let the colours fill your mind."

unknown.  (via rrebecka)

(via blueklectic)

"It’s just a job. Grass grows, birds fly, waves pound the sand. I beat people up."

Muhammad Ali (via the-art-of-skulduggery)

(via the-art-of-skulduggery-deactiva)

"I am the law, I am justice! I am the oppressed, and there is the oppressor! It is through him that all those whom I have loved, cherished and venerated, have perished! Everything I hate is there!"

Captain Nemo - 20,000 Leagues Under The Sea (via transformandreveal)

(via beyondvictoriana)

"

Holley Mangold is a 22-year-old American Olympian. She’s our country’s best hope of winning a medal in her field — a sport the U.S. has not achieved any Olympic success in since 2000. She’s a powerful athlete whose achievement is even more impressive when you consider that she’s only been at for a few years.

But despite her acknowledgment that “When you’ve got a body like mine, you’ve got to get used to attention,” you don’t see Mangold in sexy magazine spreads that provocatively flaunt naked forms. There are no worshipful Bleacher Report features devoted to ranking her hotness. Instead, Holley Mangold, a woman who can do things with her body that few women – or men – can accomplish, gets to be the butt of a joke. On Saturday, Conan O’Brien snarked on Twitter that “I predict 350 lb. weight lifter Holley Mangold will bring home the gold and 4 guys against their will.” It was retweeted over 2,000 times. Poorly done, there, Coco.

[…] Conan O’Brien’s flippant depiction of her as some marauding she-beast who has to drag off unwilling males is so shabby and dumb and crass. You’d expect more from the guy who famously said, “Work hard and be kind.” But Mangold handled the dis deftly (if not well-spelled), replying, “I like your prediction Conan I like it a lot … just wondering if your one of the guys #dontactlikeyournotimpressed.” Holley Mangold, I love you.

"

Mary Elizabeth Williams, “Holley Mangold makes Conan Look Small

Way to be an asshole, Conan. 

(via saturniinae)

(via little-sword-deactivated2013040)

"Books are no more threatened by Kindle than stairs by elevators."

Stephen Fry

(via crosseyedcupid)

(Source: thevoicecalledcheesecake, via crosseyedcupid-deactivated20140)

si-jones:

Favorite Neuromancer excerpts 

si-jones:

Favorite Neuromancer excerpts 

(via si-jones-deactivated20120702)

"Keeping things the way they are because that’s just how you’re familiar with them is problematic, due to most everyone in comic fiction being a white, cis-gendered guy. It’s not an overtly racist distinction you’re making, which is why you seem to feel you’ve come to it without prejudicial racial bias (“similar conclusions can be reached by different arguments”), but it actually IS racist by way of exclusion. “Don’t do something directly racist, but also just keep things how they’ve always been” is racist [and heteronormative, and sexist, and cis-sexist, and so on] because “how things have always been” are white, cis-gendered, and male. Therefore, you prefer things to stay white, cis-gendered, and male. The world has changed, but you want these characters to persist as vestiges of an outdated, slanted view of society."

Comics, casting, and race.  (via jhenne-bean)

"My old lip color could barely keep up with my busy schedule. In the time it takes to notice the wide discrepancy between my salary and that of my male peers, I’d have to reapply! In the seconds to count the number of women in high political offices, seated on corporate executive boards, and featured in film and television over the age of forty, my lip color would be as invisible as this glass ceiling only inches above my head! L’Oreal, because I am worth it. And because holding myself to an impossible standard of beauty keeps me from starting a riot!"

Maria Bamford’s version of a makeup commercial, from her CD How to WIN! (via emilyneary)

(Source: theangrybeige, via chauvinistsushi)