bankuei:

seekingwillow:

lessonsinthecorner:

freshmouthgoddess:

sourcedumal:

bankuei:

seekingwillow:

bankuei:

So many times have I watched sci-fi, especially when it’s supposed to be utopian, and ask, “So, that whole part where 80-90% of humanity was wiped out in targeted ethnic violence or a mass eugenics program that CLEARLY must have happened for this group to be so white?  Can we talk about that?”
Or flip-side, the dystopias where the BIG CRIME is that white people are being treated poorly, but no one mentions what happened to the POC… (still wondering what happened to the Latino folks in Hunger Games movie, and shudders with horror at their absence…)

___
Am I the only one who thinks the reason that the society is represented as utopian is because they somehow got rid of all the people of colour? And the author never seems to realize this is what is coming out of their minds? This scrubbed whitewashed superiority etc wish?I haven’t seen the dystopian ones though. Or at least, the distopian ones I have seen? There are white ppl being treated badly, dealing with poverty. And then there are MUTANTS or ALIENS trapped on earth or some such, and STILL no human people of colour. And it’s all the corrupt government megaconglormate’s fault; which is run by rich greedy white people. And then I end up wondering if the poverty etc happened cause none of the poor white people want to be janitors or maids or gardeners or assembly line workers etc.
Occasionally? I have the horrible thought that all the PoC are actually the servant class robots. That there was a mass ethnic cyborgizing, cause it was easier to re-enslave electronically than create actual complex AI. And of course the cyborg/android servants just take it.
Hell even though the Matrix had PoC? I can’t get over the Animatrix explaining how the machines set up their own civilization in a desert and the humans declared war cause they just couldn’t stand having that civilization exist and be more advanced than them and create advanced products etc. And all those peeps in power declaring war and sending the world to hell? White.
It’s all damn telling.
Just like the enemies in fantasy always being brown; while white people walk around in kimonos and faux Egypt, and ride the plains like Mongolians and some NDN tribes.

Am I the only one who thinks the reason that the society is represented as utopian is because they somehow got rid of all the people of colour?
Or at least, the people of color who are present are a few tokens who never shake the system… The utopia is either our complete absence or our obedience, because POC having their own in any way or form is too dangerous.
In a lot of ways, where I see the all white cast + robots, I figure they made the robots and got rid of the POC, much in the same way they constantly shifted cheap labor based on who they could get to work the hardest and survive under the worst conditions.

Reminds me of the short story “Space Traders”
Because if it really came down to it, this shit would most definitely come true. 

scariest fuckers on earth

How many then went to go see “AfterEarth” in the theaters because if you didn’t then you comments are useless. If you will not support a film with us not only in the future but with a leading role then why make/reblog posts like these?

_____
Just for the records; cause this level of ignorance (the above post by - I believe it is ‘lessonsinthecorner’, needs speaking on.
When there are SO FEW media products out there that contain PoC in leading roles, far less leading roles in SFF, that the PoC media consuming public has to be treated like a monolith; is treated like a monolith in that their personal likes and dislikes; their personal appreciation for actor and director doesn’t settle into it because SOMEHOW revolution will come from purchasing power directly and only and not from change higher up the line; not from cultural wake up calls and realizations, not from a lack of ethnocentric focus in the creators, not from a pigeon holing of WHO gets to act and direct in those few few media products?THERE IS STILL A FUCKING PROBLEM.
People swarmed to see the first and even the second Men in Black. Do you know what that told the film companies? Make more of the same. Exactly The Same! NOT - there’s a hunger for SCIFI / Urban SCiFI with PoC possibilities.PEOPLE SWARMED (who were in the know to hear about) ATTACK THE BLOCK. That shit has FANS. DIE HARD FANS.  Have YOU heard about a follow up? If we’ll ever get a continuing story of if there are more of the aliens, of Moses’ treatment by the police once he was out of the spotlight of his neighbourhood? If there were other attacks in other parts of the world?
Did you watch Silver Hawk? I can ask you. Did you watch The Touch?And it’d mean nothing. Because the promotion of those films was minimal in the US. And individuals may not personally have liked the actors or the style. Whereas white audiences? They get such a mixture of things. They get Galaxy Quest AND Gattica AND Solaris and Dark City AND Aliens AND The Matrix AND Cloverfield and so many many more; different styles and contexts and approaches in SciFi, so many different actors and directors and editing styles.
When PoC are still being treated as a blank single block of monolithic viewing possibilities and ALL must go and watch a SINGLE film or they ‘aren’t doing anything’ about the RAMPANT MULTI-TIERED GENERATIONALLY INSTITUTIONAL RACISM in the movie making business?That is a fucking problem.
Also for the fucking records: Talking about it, having conversations, bringing LANGUAGE into it - that powerful thing, language; sharing information, creating, forming and maintaining COMMUNITY? Bully shit for you you find it so fucking scary you want to downplay it. BUT IT IS DOING SOMETHING.
The communication of ideas, ideology, philosophy and life NEVER HAPPENS IN A FUCKING VACUUM. The communication of the revolution? IS ALWAYS AN ACTIVE PART OF THE REVOLUTION.

The argument being made is that no one can complain about 99.9% of white racist media unless they support the .1% of POC focal media which is also made in that same environment?  
I mean, let’s all remember After Earth is an M. Night Shyamalan movie and he decided to whitewash all the heroes in Avatar and turn all the villains brown AFTER deciding to do the movie because his daughter loved the fact there was a cartoon that had a heroine who looked like her.
And by a lot of reports, it’s not a very good movie either.
No.  Folks can and should demand both better representation AND for white folks to stop turning all their media into narcissistic propaganda pieces.
The problem is you can’t vote with your dollar out of a capitalist system BUILT on racist to END racism.   

bankuei:

seekingwillow:

lessonsinthecorner:

freshmouthgoddess:

sourcedumal:

bankuei:

seekingwillow:

bankuei:

So many times have I watched sci-fi, especially when it’s supposed to be utopian, and ask, “So, that whole part where 80-90% of humanity was wiped out in targeted ethnic violence or a mass eugenics program that CLEARLY must have happened for this group to be so white?  Can we talk about that?”

Or flip-side, the dystopias where the BIG CRIME is that white people are being treated poorly, but no one mentions what happened to the POC… (still wondering what happened to the Latino folks in Hunger Games movie, and shudders with horror at their absence…)

___

Am I the only one who thinks the reason that the society is represented as utopian is because they somehow got rid of all the people of colour? And the author never seems to realize this is what is coming out of their minds? This scrubbed whitewashed superiority etc wish?

I haven’t seen the dystopian ones though. Or at least, the distopian ones I have seen? There are white ppl being treated badly, dealing with poverty. And then there are MUTANTS or ALIENS trapped on earth or some such, and STILL no human people of colour. And it’s all the corrupt government megaconglormate’s fault; which is run by rich greedy white people.

And then I end up wondering if the poverty etc happened cause none of the poor white people want to be janitors or maids or gardeners or assembly line workers etc.

Occasionally? I have the horrible thought that all the PoC are actually the servant class robots. That there was a mass ethnic cyborgizing, cause it was easier to re-enslave electronically than create actual complex AI. And of course the cyborg/android servants just take it.

Hell even though the Matrix had PoC? I can’t get over the Animatrix explaining how the machines set up their own civilization in a desert and the humans declared war cause they just couldn’t stand having that civilization exist and be more advanced than them and create advanced products etc. And all those peeps in power declaring war and sending the world to hell? White.

It’s all damn telling.

Just like the enemies in fantasy always being brown; while white people walk around in kimonos and faux Egypt, and ride the plains like Mongolians and some NDN tribes.

Am I the only one who thinks the reason that the society is represented as utopian is because they somehow got rid of all the people of colour?


Or at least, the people of color who are present are a few tokens who never shake the system… The utopia is either our complete absence or our obedience, because POC having their own in any way or form is too dangerous.

In a lot of ways, where I see the all white cast + robots, I figure they made the robots and got rid of the POC, much in the same way they constantly shifted cheap labor based on who they could get to work the hardest and survive under the worst conditions.

Reminds me of the short story “Space Traders”

Because if it really came down to it, this shit would most definitely come true. 

scariest fuckers on earth

How many then went to go see “AfterEarth” in the theaters because if you didn’t then you comments are useless. If you will not support a film with us not only in the future but with a leading role then why make/reblog posts like these?

_____

Just for the records; cause this level of ignorance (the above post by - I believe it is ‘lessonsinthecorner’, needs speaking on.

When there are SO FEW media products out there that contain PoC in leading roles, far less leading roles in SFF, that the PoC media consuming public has to be treated like a monolith; is treated like a monolith in that their personal likes and dislikes; their personal appreciation for actor and director doesn’t settle into it because SOMEHOW revolution will come from purchasing power directly and only and not from change higher up the line; not from cultural wake up calls and realizations, not from a lack of ethnocentric focus in the creators, not from a pigeon holing of WHO gets to act and direct in those few few media products?

THERE IS STILL A FUCKING PROBLEM.

People swarmed to see the first and even the second Men in Black. Do you know what that told the film companies? Make more of the same. Exactly The Same! NOT - there’s a hunger for SCIFI / Urban SCiFI with PoC possibilities.

PEOPLE SWARMED (who were in the know to hear about) ATTACK THE BLOCK. That shit has FANS. DIE HARD FANS.  Have YOU heard about a follow up? If we’ll ever get a continuing story of if there are more of the aliens, of Moses’ treatment by the police once he was out of the spotlight of his neighbourhood? If there were other attacks in other parts of the world?

Did you watch Silver Hawk? I can ask you. Did you watch The Touch?

And it’d mean nothing. Because the promotion of those films was minimal in the US. And individuals may not personally have liked the actors or the style. Whereas white audiences? They get such a mixture of things. They get Galaxy Quest AND Gattica AND Solaris and Dark City AND Aliens AND The Matrix AND Cloverfield and so many many more; different styles and contexts and approaches in SciFi, so many different actors and directors and editing styles.

When PoC are still being treated as a blank single block of monolithic viewing possibilities and ALL must go and watch a SINGLE film or they ‘aren’t doing anything’ about the RAMPANT MULTI-TIERED GENERATIONALLY INSTITUTIONAL RACISM in the movie making business?

That is a fucking problem.


Also for the fucking records: Talking about it, having conversations, bringing LANGUAGE into it - that powerful thing, language; sharing information, creating, forming and maintaining COMMUNITY? Bully shit for you you find it so fucking scary you want to downplay it. BUT IT IS DOING SOMETHING.

The communication of ideas, ideology, philosophy and life NEVER HAPPENS IN A FUCKING VACUUM. The communication of the revolution? IS ALWAYS AN ACTIVE PART OF THE REVOLUTION.


The argument being made is that no one can complain about 99.9% of white racist media unless they support the .1% of POC focal media which is also made in that same environment?  

I mean, let’s all remember After Earth is an M. Night Shyamalan movie and he decided to whitewash all the heroes in Avatar and turn all the villains brown AFTER deciding to do the movie because his daughter loved the fact there was a cartoon that had a heroine who looked like her.

And by a lot of reports, it’s not a very good movie either.

No.  Folks can and should demand both better representation AND for white folks to stop turning all their media into narcissistic propaganda pieces.

The problem is you can’t vote with your dollar out of a capitalist system BUILT on racist to END racism.   

(Source: whatwhitemaleauthorshavetaughtme)

elfslavewatdo:

[Artist: Benjamin Carre]

elfslavewatdo:

[Artist: Benjamin Carre]

(via girlslikeguns)

syfycity:

Leman Russ - Primarch of the Space Wolveshttp://syfycity.tumblr.com

syfycity:

Leman Russ - Primarch of the Space Wolves

http://syfycity.tumblr.com

artissimo:

d’artiste: Character Design

artissimo:

d’artiste: Character Design

hgsantarriaga:

Recordando a Neurokongo • Ilustración
Con todo y tekno-araña en la cabezota.

hgsantarriaga:

Recordando a Neurokongo • Ilustración

Con todo y tekno-araña en la cabezota.

Idoru, William Gibson, p.189

0wnz0ne:

    There was a man on stilts at the intersection nearest the hotel. He wore a hooded white paper suit, a gas mask, and a pair of rectangular sign-boards. Messages scrolled down the boards in Japanese as he shifted his weight to maintain balance. Streams of pedestrian traffic flowed around and past him. 

    “What’s that?” Laney asked, indicating the man on stilts. 

    “A sect,” Arleigh McCraie said, ” ‘New Logic.’ They say the world will end when the combined weight of all the human nervous tissue on the planet reaches a specific figure.”

    A very long multi-digit number went scrolling down. 

    “Is that it?” Laney asked. 

    “No,” she said, “that’s their latest estimate of the current total weight.”

    Laney saw the man’s eyes through the transparent visor as they passed. A look of grim patience. The stilts were the kind workers wore to put up ceilings, articulated alloy sprung with steel. “What’s supposed to happen when there’s enough nervous tissue?”

    “A new order of being. They don’t talk about it. Rez was interested in them, apparently. He tried to arrange an audience with the founder.”

    “And?”

    “The founder declined. He said that Rez made his living through the manipulation of human nervous tissue, and that that made him untouchable.”

    “Rez was unhappy?”

    “Not according to Blackwell. Blackwell said it seemed to cheer him up a little.” 

(Source: vadavarot)

(via thesprawlfilm)

artissimo:

Spectrum 17: The Best in Contemporary Fantastic Art

Dream cosplay right here.

artissimo:

Spectrum 17: The Best in Contemporary Fantastic Art

Dream cosplay right here.

(via mmmmaabbbboorrrrrjjjoooookkkkkk)

brighter-suns:

Caterpillar by Nikolay Yeliseyev

brighter-suns:

Caterpillar by Nikolay Yeliseyev

(via jctenton-deactivated20121015)