The Cidermen!


The Cidermen!


Poor Strax.

It’s okay Matt Smith.

At least you’re hiding in the back.


Poor Strax.

It’s okay Matt Smith. At least you’re hiding in the back.

(Source: angryblackman)


Here’s something I whipped up (late) for the Community 2013 Stargate Rewatch. I wonder how long it will take to fill the board?


Here’s something I whipped up (late) for the Community 2013 Stargate Rewatch. I wonder how long it will take to fill the board?


Lori Grimes | armed and dangerous


Lori Grimes | armed and dangerous


Searching for sonic screwdrivers on amazon, when suddenly…


Searching for sonic screwdrivers on amazon, when suddenly…



… You know, and Asian people and all kind of folks you know, there was no problem with Russians you know, it’s very important that the future be hopeful and that’s what this is.”

Whoopi Goldberg on Star Trek The Original Series and on why she asked to be in Star Trek: The Next Generation.

Black people see themselves in the future.

We see ourselves shining bright in the future.

(Source: angryblackman)

(Source: angryblackman)

(Source: mostly-british-comedy, via 5feet12inches)

Yellow Face and Orientalism in the Media: Controlling What it Means to be Asian



[Inspired by my Amplify associate, Karachi, and her post on Blackface, Slurs and Appropriation]

Yellow Face isn’t just the mere inauthenticity and a failure of aesthetics of white people dressing up, wearing make up, trying to be Asian, and/or playing the roles of Asians.  No, it’s definitely more insidious and problematic than that.  It is systematic racism and discrimination, refusing to hire Asians or forcing them to play as villains, or when they receive a major role, it is typically a stereotypical one (i.e., martial arts, ‘wise man’, ‘dragon lady’, etc).  It simulates a crude idea of what ‘Asians’ look like, all the while perpetuating terrible stereotypes, controlling what it means to be Asian whether it’s in person, on the stage, or on screen.  

Orientalism: It’s a dichotomy created by the ‘West,’ it builds a view of the ‘East’ along with many elements of this culture that becomes obscured and exotic. Making a whole group of people seen as something monolithic, creating an erasure of actual identities.  

I’m not even going to try to bother with getting too in-depth about the obvious cultural appropriation, ethnocentrism, and orientalism (not too much at least).  I’m not going to go into Yellow Face on stage, in whitewashing (too much), in Europe, nor will I take the time to go through political caricatures of Asians throughout history.  [Not that it’s less important or there’s a lack of evidence.]  These following examples and history checks should do enough for now in getting my point across.  (Please find a friend in Google if you really want to educate yourself though!  Thank you!)

So, why did Yellowface occur?  Was there a shortage of Asian people to play these Asian roles during the times this practice was most rampant (19th and 20th century)?

Meet Sessue Hayakawa (Born 1889-Death 1973), the first Asian American leading actor.  He was one of the highest paid actors of his time.  His talents were definitely recognized by Paramount Pictures and was even considered a sex icon.  But despite all of this, he still met discrimination and racism everywhere he went.  He was always forced to either play “the exotic villain” or “the exotic lover.”  He waited for his turn to be casted as a hero of color, but it never came.

This is Anna May Wong (1905-1961).  During the 1920s-1930s, Anna was given many different roles as a contracted Paramount Pictures actress, but they were always either as a “dragon lady” or a “butterfly lady.”  Despite all of that, she was still a household name and was considered a fashion icon.

She was the top contender for the leading role of O-Lan, a Chinese heroine for the movie The Good Earth (1937) by MGM, but that role was later given to Luise Rainer (definitely not Asian).  MGM went to her and tried to give her another role for a film called Lotus, but it meant that she had to be the villain again, so she turned it down and left for Europe for more opportunities and eventually went back to Paramount Pictures.

Say hello to Philip Ahn (1905-1973).  For the film, Anything Goes, Ahn was initially rejected by the director, Lewis Milestone, because—I shit you not, he said this to Philip Ahn—he thought Philip’s “English was too good for the part.”  During World War II, Philip Ahn was often forced to play roles of Japanese villains.  He even received death threats because people thought he was actually Japanese.

Other Asian actors/actresses: Barbara Jean Wong, Fely Franquelli, Benson Fong, Chester Gan, Honorable Wu, Kam Tong, Keye Luke, Layne Tom Jr., Maurice Liu, Philip Ahn, Richard Loo, Lotus Long, Rudy Robles, Suzanna Kim, Teru Shimada, Willie Fung, Victor Sen Yung, Toshia Mori and Wing Foo.  

Merle Oberon can also be added to the list, although she was part white/part Asian.  She had to lie about her origins and applied whitening make up to pass as fully white.  Other Asian actors and actresses: Jack Soo, Pat Morita, Mako, Bruce Lee, Lucy Liu, Margaret Cho, B.D. Wong, Amy Hill, Jennie Kwan, Masi Oka, James Lee, Ming Na, Daniel Dae Kim, Sendhil Ramamurthy, Charlyne Yi, Miyoshi Umeki, Shin Koyamada, John Cho, Brenda Song, and George Takei.  Click on this link to see a hundred more.  

After going through the list, ask yourself why the majority of the actors and actresses here are either in some martial arts movies or some other stereotypical crap? 

TL;DR this section: There definitely wasn’t a shortage of Asian American actors and actresses.  And there still isn’t.

Very Few Examples (of Very Many) of Yellowface in History:

Nil Ashter as General Yen from The Bitter Tea of General Yen (1933)

What Nils Ashter really looked like:

Harold Huber as Ito Takimura in Little Tokyo, USA (1942)
Interestingly enough, everyone who was a “bad guy” in this was portrayed as Japanese.  Even more interesting, this was around the same time Japanese Internment Camps were happening.

What Harold Huber really looked like:

Katharine Hepburn as Jade Tan in in Dragon Seed (1944)

Katharine Hepburn just a few years after Dragon Seed:

Jennifer Jones as Dr. Han Suyin in Love is a Many Splendored-Thing (1955)

Another interesting concept found in this movie. “BEING WITH ASIAN WOMEN IS SO HOT AND EXOTIC. LET’S FETISHIZE THE SHIT OUT OF THEM.” Yup.

What Jennifer Jones actually looks like:

John Wayne as Genghis Khan in The Conqueror (1956)

John Wayne, y’all:

Mickey Rooney as Mr. Yunioshi in Breakfast at Tiffany’s (1961)

Mickey Rooney at that time:

Joel Grey as Chiun (Kung Fu Master, everyone—on the left) in Remo Williams (1985)

What Joel Grey really looked like:

Other cases I haven’t really taken the time to cover: Charlie Chan Series
(Actors who played as Charlie Chan from 1931-1981: Warner Oland, Sidney Toler, Roland Winters, Peter Ustinov) Fu Manchu, Madame Butterfly, The Teahouse of the August Moon, Shanghai Express, The Manchurian Candidate, Sayonara, Mr. Moto Series, 7 Faces of Dr. Lao, Short Circuit (1986 & 1988), The Party, Gunga Din, Broken Blossoms, The Year of Living Dangerously, etc.

I mean, I guess you could say, “But those movies were decades ago!”

Alex Borstein as Ms. Swan. 

Nicholas Cage as Fu Manchu (2007)
(Other actors who played the role of Fu Manchu starting from the 1920s up ‘til now: H. Agar Lyons, Warner Oland, Boris Karloff, Harry Brannon, Christopher Lee, and Peter Sellers)

Christopher Walken as Feng (2007)

Rob Schneider as Asian Minister in I Now Pronounce You Chuck and Larry (2007)

M. Night’s The Last Airbender (2010)
Well, the show was based on Asian and Inuit culture.  But just look at the casting.  The three protagonists are all light skinned while Zuko (played by Dev Patel in the movie) is dark skinned, and by default in this movie, the bad guy.  Someone please just remake this movie.  Please. 

British Actor, Jim Sturgess, (rocking bad eye prosthetics) playing as a Korean in Cloud Atlas (2012)

Like I said - I continue to refuse to support media businesses which overtly show you they’re totally about segregation era- hiring practices - because how much more obvious can it get than…

“We wanted an asian character, but we hired a white person, and even though we say it’s about acting chops MORE THAN APPEARANCE, we decided to dress them up to LOOK ASIAN, so in reality what we’re saying is we wanted someone who ‘looked asian’ but we were too damn racist to consider giving that money to an actual asian so instead we spent lots of money on make up and CGI to instead, so that tells you how much money we’re willing to drop to make sure we don’t accidentally give any Asian actors a paycheck.”

(via green-street-politics)

(Source: ghostofcheney)


What if I told you that just because you don’t think of yourself as racist, you can still internalize racist attitudes, behaviours, and beliefs?

The question of whitewashing in our media is a brilliant one: it is in fact racist to use other people’s cultural practices, symbols, food, and clothing as if it were a backdrop to make your show ‘badass’, while never including any people actually of that culture.

Firefly does this.

It is not racist to ask, given how much of the show purports to be about Chinese people, where exactly the Chinese (or Chinese-American, or Asian-American) people are. So lemme get this straight, China beat everybody in the Space race  and then disappeared and so… white people?

Well, that’s an interesting way to rearticulate American fears of the Chinese Other, erasure of that Other, and incorporation of ‘safe’, ‘nonthreatening’ elements of Otherness.

It’s also racist.

It’s part of systemic racism - as a system, racism depends on people to keep it going. Individual people don’t need to do much to keep it alive. They just need to buy into the idea that white = the default race, that Otherness is polluting and therefore in need of erasure or control, and that this is Just The Way It Is. They also need to buy into the notion that speaking out against these things - from the genocide through to the ‘little’ things like whitewashing in the media - is somehow wrong in itself, a betrayal from fellow white people, and complaining from the PoC being erased or whitewashed.

You don’t have to do much to participate or benefit from this system, and you don’t even have to think about it - in fact, I’m beginning to suspect, the less you think about it, the better it works, because you won’t see what’s going on in front of you, on your television, in your news, on your YouTube.

I used to defend shows like Firefly, and participated in the convoluted logic that if people didn’t like the Chinese elements in the show, they were racists. I believed my white friends who pushed this logic. It took a long time - and a lot of fights with those friends, actually, before I realized where the racism in such a sentiment is:

It’s predicated on the notion that Otherness is pollution. Let me be more direct:

It’s built on the idea that nonwhite people and even their culture are polluting.

That’s internalized racism hard at work, trying to cloak itself in the vestiges of Otherness.

(via 55223311)


Quote by Jewel Staite at NYCC 2012 regarding Kaylee’s dress from Shindig


Quote by Jewel Staite at NYCC 2012 regarding Kaylee’s dress from Shindig









Watch the actual video.

Holy shit, I have never seen so much backpedaling in my life.

I would just like to point out the fact that she is saying these words to a man who is gay and you can see the pain and disgust on his face

The year is 2345.
Saint Anderson is remembered for being awesome.

“I know it’s a difficult topic” ….. because you’re a fucking idiot.

Anderson fucking Cooper everyone

Anderson Cooper is a fucking bamf

(via 5feet12inches)